The motorcycle becomes airborne and on the way up slices itself in half as it scrapes along the full length of a Datsun Kingcab.
In the air, the rider and motorcycle twist violently as they fly by.
The motorcycle bounces off a black 66 Chevrolet and makes a sound like the end of the world.
The rider hits the same Chevy a moment later. Like a broken ragdoll shot from a canon, the man punches throu
A beautiful golden sun is setting. The sky is on fire. The CAMERA starts to move downwards. A large neon sign rises into shot. It rests on top of a skyscraper and fills the frame. The building is neither past nor future in design but a bit of both.
Slowly we pan downwards revealing the city that spreads below... A glittering conglomeration of elevated transport tubes, smaller square buildings wh
Loser Script
-This might be it, Paul. Good luck.
-Thanks.
Oh, boy. lt sure is thick.
lm in.
See, your brothers smart.
Hes smart. Are you as smart
as your brother? l think so.
We are so proud of you.
A full scholarship!
Plus a meal plan.
First one ever in our family.
Of course, he was
reading Archie at .
Hey, hey. Thats for Paul.
-Take this.
-Grandpa, no. l cant.
No, no. You dont know the city.
Ev
Lost In Translation Script
[ Traffic Noises, Faint ]
[ Plane Passing Overhead ]
[ Woman On P.A. System
Speaking Japanese ]
[ Woman On P.A.]
Welcome to New Tokyo
International Airport. Welcome.
- Welcome to Tokyo.
- Thank you very much.
My name is Kawasaki.
Nice to meet you.
Ive heard of you. Thank you.
For you.
Thank you.
And Mr. Mori
from Suntory.
Hi.
And Miss Shibata.
Hey, I need that.
And Mr.
HEATHERS
An Original Screenplay
by
Daniel Waters
FINAL SHOOTING SCRIPT
Registered WGAW
February 8, 1988
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
FADE IN:
EXT. SAWYERS BACKYARD--DAWN
Elegiac music murmurs as three female and barefoot PAIRS OF
LEGS in skirts break from tableau to gently engage in Croquet.
A blue
SEVEN
by Andrew Kevin Walker
8/8/94
1 INT. OLD HOUSE -- DAY 1
Sunlight comes through the soot on the windows, more brown than
bright. SOMERSET, 45, stands in one corner of this small,
second-story room. He looks over the ceiling, looks down at the
worn wooden floors, looks at the peeling wallpaper.
He walks to the center of the room, continues his study, taking
his time. He halts, turns to one wa
RELIC
a screenplay by Amy Holden Jones
based on the book by Douglas Preston and Lincoln Child
March 16, 1995
TITLE CARD... BELEM BRAZIL - JULY...
EXT. BELEM STREETS - NIGHT
A taxi careens down narrow roadways at breakneck speeds.
INT. TAXI - NIGHT
In the back seat is WHITTLESLEY. Early 40s, the wreck of a once
handsome man. Unshaven. Sweat stained. Rail thin. Scratches on his
arms, a fresh scar
THREE KINGS
a screenplay by
David O. Russell
Story by
John Ridley and David O. Russell
Draft Date: 6/22/98
FADE IN:
EXT. IRAQI DESERT - DAY
WIDE ANGLE POV of wide open desert, flat grey sky.
THE CAMERA is running forward, toward a big sand berm in the
distance. There are O.S. sounds: SOLDIERS EQUIPMENT
CLANKING, BOOTS RUNNING ON SAND. Hear a MANs BREATHING.
The back of his helmeted head and his u
MISSION: IMPOSSIBLE
16TH AUGUST 1995
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. KIEV APARTMENT - NIGHT
Were in a large closet. JACK KIEFER, an athletic American
in his late thirties wearing a headset, is wedged into a
corner, staring at a television screen.
The television shows a surveillance view of t
The Crow
Screenplay by David J. Schow
John Shirley
Produced by Edward R. Pressman
Jeff Most
Directed by Alex Proyas
Cast List:
Brandon Lee Eric
Ernie Hudson Albrecht
Michael Wincott Top Dollar
Rochelle Davis Sarah
Michael Berryman Skull Cowboy
John Polito Gideon
David Patrick Kelly T-Bird
Angel David Skank
FADE IN:
EXT. CEMETERY - LATE AFTERNOON
BOOM! A crack of lightning illuminates the silhoue