music?
-Hell no.
-Hey, Finn.
-Hey, Constance.
-Sorry, Im late.
-Quite all right.
-You want to smoke?
-No, I dont think Id better.
-What the hell, if I knew where love resides.
-Well, I dont understand why your mother divorced your father and stayed friends with him.
If you still love each other, why dont you just stay married?
-Well, some people like to get a new car every other year.
-Uhhh... lo
music...
... helped Mom clear the chaos...
... especially after a fight with Dad.
Or when he left us for good.
People said Mom was better off.
They said she was lucky.
But she believed...
Luck is when preparation
meets opportunity.
You gotta prepare
for the life you want.
And though I knew I wanted
a career in broadcast journalism...
... it took a little Carly
and a lot of time...
... to find the
musical actress in someday. However, the harsh reality makes her difficult to achieve her real dream. She depicts the discordance between one's ideal and reality.
2. Character
Oh Eun Su
She is a plain career woman. But some day, she met a younger boy ‘Tae Oh’ and they fell in love. And other day, she was introduced to a man ‘Young Su’ by her colleague at work. So she simultaneously m
elements, p.1539)해야 한다고 역설하는 부분이다. 왜 페이터는 굳이 과학적 저술에 등장하는 용어, 표현들을 이용하여 자신의 예술론을 명료화 하려고 하였을까?
이 질문에 답하기 위해서는 우선 과학적 사고방식이 페이터의 상대주의적 예술론과 굉장히 대조되는 관계에 놓여있다는 점을 명확히 할 필요
music box and sits on a table between two men. The man talking is big, looks like an over-stuffed kid. "LEON" it says on his breast pocket. Hes dressed in a warehousemans uniform and his pudgy hands are folded expectantly in his lap. Despite the obvious heat, he looks very cool.
The man facing him is lean, hollow cheeked and dressed in gray. Detached and efficient, he looks like a cop or an accou
music halls
doing three shows a night
so you could powder your babys bottom
and whine about how nobody
ever gives the radio man a chance.
Peter, no ones gonna hand it to you.
You want success,
youve gotta go out and take it!
Bite the hand that feeds you. Therell
always be another hand with more food.
And theyll be impressed
by the sharpness of your teeth!
Come here.
Yes. Yes, yes, yes, yes, yes,
music is playing -- CAMERA FINDING MIKE AND ELLIE,
dancing close, moving sensually. Its impressive. HELEN
convinces T.J. to DANCE. SCOTTY and BIMBO join in too.
T.J., whipped, extricates himself and Helen; tousling
Mikes hair in affection.
T.J.
Were goin. Get some sleep,
Detective Keegan. You got a new job
tomorrow.
CUT TO:
INT. HALLWAY - NIGHT
MIKE is holding TOMMY asleep on his shoulder.
ELLIE
On a second note, Id just like to add that the blocking written here is of my own observations, everything else is the work of MICHAEL CRICHTON and ANNE-MARIE MARTIN. There are also references to music from the soundtrack, i.e. (Music starts "Virtual Reality")So, without further ado, I give you TWISTER!!!!
"TWISTER"
{Screen fades in to an eerie fog, gray clouds swirling across. Haunting music. W
music.
Lets do it right now.
EXcuse me, do you have a light?
If you wanna look down my dress,
you should grow a few inches.
- Wanna dance?
- The twist?
No, thank you.
- Well, we dont have to twist.
- "No" meant "no".
- "No" wasnt a figure of speech?
- No.
- Youre pretty impressed with me.
- No.
Yes, you are.
Stoli, straight up.
So I was impressed.
- Want a drink?
- Same.
Make it two.
Are you one
music for the play.
- Lee? - Thats a brilliant idea.
l need a little help with the final touches.
- Can you get the two big serving dishes? - lm running out of obsequious banter.
- Hows it going? - He thinks lm perfect for the part.
The goddamn producer wants more of a name.
l dont understand why they make such a big deal. lts not like its the lead.
My first audition went better. l dont know what