Knocked Up Script
Light your nuts on fire.
Fuck! Fuck! My hands!
Too hot for Jonah!
I got fucking water in my mouth!
Oh, my God!
I got to get off! I got to get off!
Got to get off! Got to get off!
Sadie, wake up!
Oh, my gosh!
Daddy, wake up!
Okay, Im up.
Is that my genius over here?
Is that my genius?
I need you to take the kids
to school this morning.
- I would, but Im supposed to work out.
- Wh
THE PIANO LESSON
Screenplay for a film by
JANE CAMPION
Producer
JAN CHAPMAN
Script editor
BILLY MACKINNON
Maori dialogue and translator
SELWYN MURU
(c) copyright:
Jan Chapman Productions Pty Ltd
2 Fairlight Street Leichhart 2040
NSW Australia
4th draft 1991
Developed with the assistance of
The Australian Film Commission
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Sc 1 Sc 1
AD
INDEPENDENCE DAY
Dean Devlin & Roland Emmerich
AN AMERICAN FLAG
Oddly still, posted in gray dusty sand.
WIDEN TO REVEAL:
EXT. LUNAR SURFACE - THE MOON
One small step for man, one large pile of garbage for moon-
kind. Untouched for years, the flag stands next to the
castoff remains of the Apollo mission. Slowly the discarded
equipment begins to RATTLE and SHAKE.
AN ENORMOUS SHADOW creeps towards u
The sun shines brightly on the classic facade of the main library at Fifth Avenue and 42nd Street. In the adjacent park area, pretty hustlers and drug peddlers go about their business.
FRONT STEPS
A few people lounge on the steps flanked by the familiar stone lions.
INT. MAIN READING ROOM - DAY
People are dotted throughout the room sitting at the long oak tables polished by decades of use. Readin
SNOW FALLING ON CEDARS
Screenplay by Ron Bass and Scott Hicks
Based on the novel by David Guterson
May 4, 1998
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. THE SUSAN MARIE, SHIP CHANNEL BANK - NIGHT
Fog. Penetrated only by sound. The LAPPING of sea at a
drifting hull. Tendrils of mist part, revealing...
...a f
Grainy but unmistakably a man and woman making love. Photograph shakes. SOUND of a man MOANING in anguish. The photograph is dropped, REVEALING ANOTHER, MORE compromising one. Then another, and another. More moans.
CURLYS VOICE
(crying out)
Oh, no.
INT. GITTES OFFICE
CURLY drops the photos on Gittes desk. Curly towers over GITTES and sweats heavily through his workmans clothes, his breathing prog
The Abyss
AN ORIGINAL SCREENPLAY
BY
JAMES CAMERON
August 2, 1988
Directors Revision
THE ABYSS
OMITTED 1
OMITTED 2
TITLE: THE ABYSS -- ON BLACK, DISSOLVING TO COBALT BLUE
EXT. OCEAN/UNDERWATER -- DAY 3
Blue, deep and featureless, the twilight of five hundred feet down.
PROPELLER SOUND. Materializing out of the blue limbo is the enormous but
sleek form of an Ohio-class SSBN ballistic missile submar
A Fish Called Wanda Script
And on that point,
members of the jury, I rest my case.
Hello, Wanda.
- Hi, Ken.
- Hello, W-W-Wanda.
Ken... this is Otto.
Hello. Wandas told me a lot about you.
Hey! Great fish!
A little squeeze of lemon,
some tartare sauce-perfect!
George back yet?
No. He had to g-g-go to the b-b-b...
What?
Thats quite a stutter
youve got there, Ken.
Its all right, it doesnt bother me.
Guilty As Sin Script
Sustained.
Proceed, Mr Schiff.
when you entered that
Suite 405 of the Holiday lnn.
Mr Lombardo was alone in
the room with Richard Colbert,
a deputy director of the
lnternal Revenue Service,
who was kneeling beside a coffee table
counting out stacks of $100 bills.
And will you tell the jury
how you knew of this...
Therefore, with probable cause,
you applied for a warrant?
- Ye
Deconstructing Harry Script
l never could start
one those fires.
Dad, are you gonna have
chicken or meat?
Chickens fine.
This is a brilliant article.
Norman!
-You read Kens article on China?
-No, l havent.
Terrific article.
And where is Ken?
Hes in the house
watching the Yankee game.
Your husband comes for a day
in the country.
And heads straight
forthe TV set.
Ken, come on honey!
How many chicke