frame.
POV SKATERS
The Old Man leans on the railing that overlooks the beach. We get closer and closer to him until...
One of the skaters checks him hard into the railing. The Old Man exhales violently and falls to his knees. The two other skaters begin savagely beating on him with their hockey sticks, as he crumbles beneath them. Repeatedly their blades crash down hard on his head.
VOICE (O.S.)
frame with sure, perfect strokes.
Rolls it quickly in acid-free paper. Opens the cylindrical tube,
pulling out...
...another CANVAS which we cannot see. Deftly unrolls this,
fitting it carefully into the stolen paintings now-empty frame.
Re-hangs it. Stares for a beat through the opaque helmet visor.
Approves. Slips the rolled-up stolen canvas into the empty tube.
Leaves. Before we follow, we shi
FRAME beside a suitcase; "ERO-AIR. FLIGHT
#180. New York City (JFK) - Paris, Charles de Gaulle (CDG.) Departure:
Thursday 13May. 16H25 - Arrival: Friday 14May. 05H40."
"And When I Die" Continues throughout the MAIN TITLES:
AN OLD TABLE FAN
swivals beside and open window. Outside, a humid spring THUNDER STORM drops
warm, ominous rain. The figure of a seventeen year old boy, ALEX BROWNING,
packing
frame. Now, facing straight down --
they FALL INTO CAMERA, CLINGING TO EACH OTHER DESPERATELY
BULK AND SKULL
YEAAAAAAHHHHHH!!
6 EXT. SKY - DAY
The Rangers pull off more SPECTACULAR MANEUVERS
then swoop TOGETHER, interlocking hands and forming a
PERFECT CIRCLE
They look to one another and a moment of pure magic passes
between them. Its not usual the exhilaration of flight theyre
sharing, it s the
complex. The moon reflected in glass.
CAMERA CONTINUES TO MOVE IN THROUGH billowing curtains, INTO the inner sanctum of a penthouse apartment, and here, boys and girls, is where we lose our breath, because...
Spread-eagled on a sumptuous designer sofa lies the single most beautiful GIRL in the city. Blonde hair. A satin nightgown that positively glows. Sam Cooke MUSIC, crooning from five hundred
FRAME...WATCH THE FRAME...
ROLL THE RESCUE STATIONS AGAIN.
Technicians: WE GOT A REPORT THAT HALF THOSE RESCUE
STATIONS HAVE BEEN KNOCKED OUT.
SO GET ME A NEW LIST.
SURE, ILL PULL IT OUTTA MY ASS.
Fran focuses on the monitors. She is incredulous... stunned by
the madness which surrounds her. She realizes the hopelessness
of the situation as she zeroes in on the televised conversation.
8 We begin
complex web of waterways, the forbidding castle
at the core. It is vast and magical, frightening and compelling at
the same time. We would love to linger, perhaps fly lower and get a
better look at this wondrous place, but the bird flies on
3 EXT: GLADE - DAY
It is an idyllic setting, warm and inviting. The late afternoon sun
washes everything with a pink glow. Between the water and a line of
lus
The Cable Guy
by Judd Apatow
Based on a Screenplay by
Lou Holtz Jr.
Shooting Script October 31, 1995 (White)
Revised Pages November 13, 1995 (Blue)
Revised Pages November 14, 1995 (Pink)
1 FULL FRAME - WHITE NOISE
Credits begin. The entire frame is filled with white noise within which one can make out thefaint
image of a television program. Every few moments the channel changes, revealing a new
complex device.
ANOTHER CAROUSEL HORSE
sweeps by...
ARCHER
pockets his FBI badge, then holsters his gun...
CASTOR
sets the bomb timer -- then replaces a wall panel in
front of it. Totally hidden.
BRIEFING ROOM - CASTORS MUGSHOT
is on a computer screen. His criminal dossier scrolls by
endlessly: bombings, assassinations, mercenary
kidnappings, terrorism-for-hire...
Rookie agent LOOMIS studies the
Chapter 6
Play as a Tool for Assessment
Ⅰ. ASSESSING DEVELOPMENT THROUGH PLAY AT THE BANK
Ⅱ. ASSESSING AGE-APPROPRIATE DEVELOPMENT
1. Assessing Skills and Concepts
Ⅲ. ASSESSING INDIVIDUAL DEVELOPMENT
1. Intelligence Is Multifaceted
Ⅳ. HOW PLAY INFORMS ASSESSMENT
Ⅴ. ASCERTAINING THE CHILDS VIEWPOINT
1. Principles for Framing play Questions
Ⅵ. STRATEGIES FOR COLLECTING AND ORGANIZING
I