Media Advisor.
MITCHELL
Is everybody in there?
BOB
Theyre waiting for you. And theyre
very nervous.
CUT TO:
INT. WHITE HOUSE - ROOSEVELT ROOM - DAY
It is the seat of power. There is a dark oak conference table
with a crystal chandelier above it. Alan Reed is reading
from a notebook full of polling data while the President glares
at a group of congressional leaders. Bob glares at them,
too, while
pushes the boundaries every day.
You push, you push some more and see how they react.
Yeah, it seems stupid, but remember: every foot is a dollar.
And dollars is the only thing that matters out here.
Yo, Jason.
What?.
What you mean, what?. Get over here.
Damn.
Whats wrong with you, man?.
Why are you staring at me?. Did I do something?.
Whyyou gotta do something for me to stare atyou, man?.
- You
media. This all happened under the radar.
The prisoner transport left an hour ago from Ely.
Left Ely? What do you mean? What transport?
The diary gave them an opening to argue insanity again.
They need Rivers present, so they drugged him, put him on a transport.
Theyre taking this scumbag to a hearing...
...the night before his execution.
How the fuck did you let that happen?
Would anyone like to
pushes a button.
A VOICE comes over the intercom.
VOICE OVER
INTERCOM
Dick Laurent is dead.
Fred leaves the bedroom and goes through the house. He is on
the upstairs level. He looks through a narrow slot window,
but cant see the front door below. He goes further in the
house to a picture window that overlooks the street below.
There is NOBODY there.
CUT TO:
모
모
EXT. THE MADISON HOUSE - DAY
We
push.
This is a rape case.
I dont want top piss the judge
off.
Trust me on this, Alex.
You telling me this is joking?
Your honour, my client is
looking at some serious time in
jail.
While this guy are laughing
all the way to CNN.
That ridiculous.
Your honour,
jury number is a rape victim.
Shes a major fund raiser for
sexual assault hotline.
I must point out now however,
the prosecution should hav
pushes a switch to close the gate behind the Mercedes.
EXT. UTILITY POLE - OLYMPIC BLVD - DAY
From atop a pole outside the south wall, a man with binoculars
overlooks the private streets of Fremont Place.
HIS POV - THROUGH BINOCULARS
as the Mercedes cruises through the quiet neighborhood.
BACK TO SCENE
The man, PAUL JAVAL, is thirtyish, nervous; with short, sandy
hair. He takes the binoculars awa
media begin to come up loud, under:
EXT. FLATBUSH AVENUE - DAY
LONG SHOT down the Avenue, 400 mm lens, heat waves
shimmering, thousands of old people, and people with children
in strollers moving restlessly about in the heat on those
endless miles of benches.
The SHOT is ON SCREEN only for a beat or two, then gone...
SOUND TRACK COMES FROM A THOUSAND TRANSISTOR RADIOS, TV
SETS, AUTO RADIOS, BLEND
push the damn buttons.
- Help him, Papa. - Would you?
- Youd trust me with your number? - A fellow Greek?
Whats the number?
Seven-eleven-four.
Dont flirt. Shes a virgin.
Congratulations.
Damn it!
Now how do I catch a cab to the burns centre?
- How far is the hospital? - Beverly Hills. Is that far?
- We can give him a ride. - No, we dont have time.
You gotta have the cab fare. I insist. Yeah.
"Efh
media reflect this.
But unless we get up off
our fat surpluses...
...and recognize
that television in the main...
...is being used to distract, delude,
amuse, and insulate us...
...then television
and those who finance it...
...those who look at it
and those who work at it...
...may see atotally
different picture too late.
Millie! Just the person
I wanted to see! Come here!
This goes at the top
o
Media Type Device)로 이런 모든 콘텐츠를 이용할 수 있다. 다양한 콘텐츠들 중에서도 모바일 게임은 성인 콘텐츠 다음으로 수익률이 높은 콘텐츠로 분류된다.
모바일 음원 산업과 더불어 주요 킬러 콘텐츠로 부상한 모바일 게임 산업에 대한 기대와 정보화 수준의 향상과 함께 이에 대한 연구도 1990년대 후