Old School Script
[speaker drones, indistinct]
Real Estate Query Engine
is a virtual rubicon of information,
putting the lawyer himself
at the controls.
Listen, Im going to take off, okay?
Im gonna try and catch the : back.
Youre leaving the seminar now?
Its not even intermission.
- I dont think you can do that.
- No, its fine. Just cover for me, okay?
- Get it all.
- I guess.
- Listen, could we
history
of modern sexuality.
lt is the first time
that respectable
middle-class women
went to porn theaters.
It really broke down,
uh, traditional codes
of--of decorum.
(Hugh Hefner)
Linda Lovelace,
and conversations,
and jokes about Deep Throat,
appeared
on network television.
lf the film
became mainstream,
conversation about it
became truly mainstream.
lts kind of
a strange country, isnt it?
Ju
GLADIATOR
by
David Franzoni
FIRST DRAFT REVISED
April 4, 1998
FADE IN:
EXT. NEAR THE GERMAN FRONT - 180 A.D. - DAWN
The rising sun unveils steep hills and luxuriant mountains
untouched by man. Snow flurries dart in the frigid air
and on the horizon CROWS gather.
EXT. DIRT ROAD
A column of Praetorian Cavalry flank two enclosed wagons
as they rattle along a rock and log accordion road. On
all sides
An old preserved movie theatre. The kind only found in a small town. Very picturesque. The marquee in front reads:
"SNEAK PREVIEW TONIGHT
STAB
Rated R"
A line has formed around the block, GUYS and GIRLS - mostly college age.
CLOSE on a girl, MAUREEN, no more than 18. A friendly face with innocent eyes. She stands in line with her boyfriend PHIL, same age. A handsome counterpart.
MAUREEN
I hat
"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc
성경 연구와 신학 연구에 있어서 대 부분의 주제는 서로 긴밀하게 연관되어 있다. 하지만 우리는 예수 그리스도에 대한 인격에 대한 연구를 함에 있어서 잘 모르기 때문에 주제의 범위를 엄밀하게 제한 시켜야 할 뿐 아니라 이러한 한계 내에서 논의조차도 불충분 할 수밖에 없다.
이 책에서 시도된 작
Sense and Sensibility
Jane Austen - (16 December 1775 – 18 July 1817)
Romantic fiction
Landed gentry
Realism – biting irony & social commentary
Constant support from family
Epistolary novel
18th century ~ 19th century
Dependence of women on marriage to secure social standing & economic security
Austen’s works - Sense and Sensibility
1. Sense and Sensib
Evelyn Script
Evelyn, did Jesus have a big sister?
No, Dermot, he didnt. He wasnt as lucky as you.
He had two daddies, though. God the Father and Joseph the carpenter.
Did Joseph ever do a bit of painting and decorating like my dad?
Evelyn, you take the boys home. lll go find your mother.
-All right, Dad. -Good girl.
l want the big one.
The big ones mine. lm the biggest. Come on.
l told you l was
Happy Accidents Script
Murder.
Oh, God, Sam. Murder?
- It wasnt me.
- Nobody could understand this.
Its too much.
I thought it would be easier
if I told you a little at a time.
It would sink in a little at a time.
Sink in a little at a time?
You just dropped an emotional...
...anvil on my head.
Look at me. Im flat as a pancake.
- Are you even listening to me?
- Im listening to you, Ruby.
Im liste
Cousin Bette Script
WOMAN: Dr. Bianchon?
MAN: Baroness.
When will my suffering end?
Soon.
- Bless you, Doctor.
- Dear Madame.
- Lovely... and noble creature.
- Go now.
Yes.
- Doctor?
- It hardly seems the time.
However, one must, for the sake
of ones conscience...
Your bill, Madame.
I have squandered everything.
All of it.
- On Josephat.
- You were young.
And Valerie de Marneffe.
Took advantage
o