attic.
Wait a minute. Is it worth anything?
Well, he was able to borrow $ against it.
Really? So, what is its value today?
$ .
Great. A worthless house and a broken-down string factory.
Oh, well. At least the day wasnt a total loss.
Thanks for the stogies, Pop.
Wait. You cant go. W-we have to go through all these papers.
Youll have to excuse me.
- Ive got a date with the mayor.
Mr Mayor! Mr Mayor
attic.
Its like nostalgia.
Right.
- Did you notice the tree ?
- [Grandmother]
ltsa nice tree.
Your old dad,
he got out the chain saw,
and he dragged it back...
from the front yard
ofthe Winterson house.
Its quite the tree.
You remember Hazel Winterson.
[Mr. Wheeler] They were
one ofthe first to leave.
[Grandmother]
Well, lm notsurprised.
Here we are.
Ooh, arent you lucky.
look whatSanta
broughtyo
Le Divorce Script
#[Man Singing In French]
What is the purpose
of your visit to Paris?
Yo visit my sister.
Shes having a baby.
Shes married to a Frenchman.
l mean, her husbands French.
Shes a poet.
- Bon journ閑.
- Bon journ閑.
You want those berries, huh?
- Bonjour.
- Bonjour.
Artichokes...
asparagus.
In the th century,
well-bred women never ate asparagus.
Especially white asparagus.
Really. I
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목차
제작과정
작가와 감독
캐스팅 & 촬영 비하인드 스토리
영화의 형식과 구조
다양하게 바라보는 대부
- 갱(Gang) 영화
- 인종문제를 다룬 영화
- 페미니즘 시각에서
2
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제작 과정
영화 대부는 우연한 기회로 탄생
작가 마리오 푸조
THE BRIDGES OF MADISON COUNTY
Our story begins in 1965, on a hot afternoon in August.
FADE IN
EXT. IOWA LANDSCAPE - DAY
Rolling green hills, lush farmland, vast open space. Not a
house or sign of life in sight. On a long dusty road, a TRUCK
is driving across the screen. Clouds of dirt follow in its
tracks -- its motor, the only sound we hear.
INT. TRUCK - DAY
FRANCESCA JOHNSON is sitting in t