오스트레일리아의 대륙에 처음으로 발을 디딘 사람은 Warramurrungunji라는 여성이다. 그냐는 바다로부터 북오스트레일리아 섬에 나타났고, 내륙으로 향하였으며, 그 과정에서 아이들을 낳고, 각 아이들을 특정 공간에 두었다. 그녀가 들판을 가로질러 이동하며, Warramurrungunji는 각 아이들에게 “나는 너희
(2) is the principle, the law which presides conspicuously over such composition, and, when obeyed, is the reason why a projective poem can come into being. It is this: FORM IS NEVER MORE THAN AN EXTENSION OF CONTENT. (Or so it got phrased by one, R. Creeley, and it makes absolute sense to me, with this possible corollary, that right form, in any given poem, is the only and exclusively possible e
to comfort his friend and does not recognize, as the poet does, the ironic discrepancy between the comfort he intends and the lack of comfort he actually offers, for not being able to have one's hair soiled is hardly consolation for having it shaved off! In line 24 the boy's words are an expression of a childlike trust that the poet, with more experience of the world, knows to be unfounded: the p
to comfort his friend and does not recognize, as the poet does, the ironic discrepancy between the comfort he intends and the lack of comfort he actually offers, for not being able to have one's hair soiled is hardly consolation for having it shaved off! In line 24 the boy's words are an expression of a childlike trust that the poet, with more experience of the world, knows to be unfounded: the p
to be
10 The Century's corpse outleant,
11 His crypt the cloudy canopy,
12 The wind his death-lament.
13 The ancient pulse of germ and birth
14 Was shrunken hard and dry,
15 And every spirit upon earth
16 Seemed fervorless as I.
17 At once a voice arose among
18 The bleak twigs overhead
19 In a full-hearted evensong
20 Of joy illimit