films are produced, a significant number of them do not make it to theaters due to competition. They support the view the free trade is mechanism by which powerful economies dominate the weaker ones. They argue that cinematograph films especially is a way powerful economies indirectly and negatively affect dominant cultures and life styles (Choi, 2007).
Figure 1. Average Production Costs of K
Local Economy Enhancement by FilmFestival s & FilmProduction
Actual Events
San Francisco:
FilmProduction
→9,000 jobs &
$170 million
Korea:
Busan Intl. FilmFestival
→ tourists expenditures were
$3 million
Our Assumption
Korea:
FilmProduction:
300,000 visitors
Germany:
FilmProduction:
12,000 jobs
from a cycle of boredom and fatigue.
2. Theoretical Principles
Perishability- u can’t keep it, store it, you can have movie with DVD, but you can’t have the experience, you can’t keep the experience. Price overcome issues of perishability
Intangibility (souvenirs) – we are not selling product which can be touched, but the feeling, experience - we buy souvenirs of experience-base
What is PIFF?
2004. 10. 7 - 15
The 9th PIFF showed 266 films
from 63 countries:
the most number of films from the most
number of countries in the history of PIFF.
166,164 Seats out of
195,924 Seats were taken.
Possession was about 84.8%
Strategy 1. Differentiation In Selection.
Devoted their Obvious principle, focusing on Asian Films.
A windows of Asian Cinema
New Currents
K
I. 개요
영화 산업은 이제 예술의 한 장르라고 보기 보다는 거대한 엔터테인먼트 산업으로 변화했다. 2010년 기준, 전 세계의 극장매출은 250억 달러에 이르고 해마다 10% 정도의 성장을 보이고 있다. 이러한 거대한 영화산업이 세계경제와의 관계와, 미치는 영향을 조사해보고자 영화의 제작과 흥행을