“You ask how it feels to be a deceived husband. Just Heavens, I do not know. It feels just nothing at all. It is not Hell, certainly it is not necessarily Heaven. […] But what were they? The just? The unjust? God knows! I think that the pair of them were only poor wretches, creeping over this earth in the shadow of an eternal wrath...” 옳고 그름에 대한 가치판단의 어려움
the plays of Shakespeare has a "meaning," although it would be equally false to say that a play of Shakespeare is meaningless. All great poetry gives theillusion of a view of life. When we enter into the world of Homer, or Sophocles, or Virgil, or Dante, or Shakespeare, we incline to believe that we are apprehending something that can be expressed intellectually; for every precise emotion tend
the fact, in the supposed fact; it has attached its emotion to the fact, and now the fact is failing it. But for poetry the idea is everything; the rest is a world of illusion, of divine illusion. Poetry attaches its emotion to the idea; the idea is the fact. The strongest part of our religion to-day is its unconscious poetry."(347)
→Arnold는 당시의 시대를 위기로 인식하고 그
the possibility that people are capable of achieving a happier, more relaxed and less anxiety-ridden existence without constant struggle and challenge.
-certain degree of illusion, distortion and self-deception are integral to the way ‘well-adjusted’ people perceive their world
-unrealistically optimistic outlook can often fare better than those who face up to the brute reality of their sit
#1. <인톨러런스 Intorelance>(1916) / 감독: D.W. 그리피스
왜 D.W. 그리피스인가?
우리는 이 시리즈가 왜 미국 영화의 아버지라고 불리는 그리피스로부터 시작하는지를 물어보아야 할 것이다. 우선 그의 영화 <국가의 탄생>(1915)은 미국의 지배적 신화를 국
가의 탄생에 관한 것으로 만든 작품이다. 이후