분야
hwpⅠ. 서 론 ·····································································································1
1. 시대적 특징과 문화적 대응 ········································································1
2. 동인지 중심의 문학 활동 ··········································································2
3. 계몽주의의 극복과 문학중심주의의 성장 ·····················································3
Ⅱ. 본 론 ·····································································································5
1. 1920년대 소설 문학 ·················································································5
1) 동인지 『창조』의 김동인 - 단편소설 양식의 정립 ······································6
2) 동인지 『백조』의 현진건 - 소설적 기법 추구 ············································7
3) 동인지 『백조』의 나도향 - 물질적인 욕망과 인간적 본능 ···························8
4) 동인지 『폐허』의 염상섭 - 개성과 현실의 발견과 근대소설의 확립 ·············9
2. 1920년대 시 문학 ···················································································11
1) 김억 - 시적 형식과 리듬의 인식 ···························································11
2) 동인지 『창조』의 주요한 - 외형적 정형률 탈피 ·······································12
3) 김동환 - 외형적 정형률 탈피 ································································12
4) 최남선 - ‘조선심’을 되찾고자 한 ‘시조부흥 운동’ ···································12
5) 김소월 - 전통을 새롭게 창조 ································································13
6) 한용운 - 역설의 미학 ··········································································14
7) 동인지 『백조』의 이상화 - 낭만적 열정과 현실의 인식 ····························14
Ⅲ. 결 론 ···································································································15
Ⅳ. 참고문헌 ································································································16
근대적 문학 형식은 계몽주의를 벗어나 문학중심주의를 추구하는 과정에서 동시적으로 이루어진 분야라 할 수 있다. 소설문학에 있어서 1920년대는 단편 소설의 시대라 불리는데, 이 시기 수많은 작가들이 단편 소설의 양식적 특성을 실험하고 미학적 완결성을 갖춘 작품을 창작하는데 매진하였다. 그 결과 인간 삶의 진실과 문제적 상황을 압축적으로 보여주는 단편 소설의 진면모가 이 시기에 결실을 맺었던 것으로 평가받고 있다.
본고에서는 이전에 분석한 문헌자료들을 통해서 먼저 이러한 근대 문학의 형태를 갖추게 된 그 당시의 시대적 배경을 알아보고 이러한 시대적 상황 속에서 등장한 동인지와 작가, 작품, 또한 작품에 따른 특징들을 살펴보도록 하겠다.
권영민, 한국현대문학의 이해, 태학사, 2010.
권영민, 한국현대문학대사전, 서울대학교, 2004.
김우종, 『한국현대소설사』(최신증보판), 성문각, 1994.
김윤식, 김우종 외 34, 한국현대문학사, (주)현대문학, 2002.
김윤식, 김현, 한국문학사, 민음사, 1996.
(1920년대 근대 형성과정에서의 동인지문학 - 소설, 시)
