The poets’ thoughts are most vividly expressed through various poetic forms, techniques and sometimes reflectionon the languages of their own. We can comprehend what each poet is thinking about their own identity through the use of language in their poems.
Achievements:
- BBC Young Playwright’s Award
Honorary doctorates by several universities- Listed at 48 in The Times' list of 50
on my leaning shoulder she laid her snow-white hand.”로 볼 수 있다. 그녀의 작고 눈같이 하얀 발과 손을 떠올림으로써 그녀의 "에서 Sa표현ey는 버들 것다. 이 "에서운 소녀버들그 당시 화자에게 사랑과 인생을 나무의 잎사귀가 자라나듯, 잔디가 자라나듯 자연스럽게 흘러가게 놔둘 것을 권유하지만, 화자는 당시
Modern person is accustomed to life of adaptation and identity crisis in peculiar circumstance of modern civilization not to know to know. I am known that this is estrangement on industrial society, or Identity crisis. It is satirical poem about being "Cotton = nopersonality" modern person.
대초원들을 소재로 한 것이다. 휘트먼의 전통을 이어 자유 시형과 속어 등을 대담하게 구사하여 거칠고 힘찬 시를 썼다. 그의 <에이브러험 링컨 전기> 6권은 퓰리처상을 받은 필생의 대저로서 특기할 만하다.
2. 시집
Smoke and Steel
Good Morning America등
3. 시감상 FOG
The fog comes
on little cat feet.
swing upon a spider's thread,
And wear a thimble on your head
If you were one inch tall.
You'd surf across the kitchen sink upon a stick of gum.
You couldn't hug your mama, you'd just have to hug her thumb.
You'd run from people's feet in fright,
To move a pen would take all night,
(This poem took fourteen years to write--
'Cause I'm just one inch tall).
(Shel Silverstein)
ON A YOUNG ADULT
Struggling through a horse stance, his face in real pain. He is trying his best to hold the stance, but his legs are quivering. He drops out of the stance onto his knees. Master Kwan is right beside him.
YOUNG ADULT
Sifu Kwan, was that long enough? Its been 10 minutes...
Sifu Kwan shakes his head and puts his hands behind his back as he walks past the student.
KWAN
on.
LEFFERTS
Parading her at the opera like that. Sitting her next to May Welland. Its all very
odd.
JACKSON
Well, shes had such an odd life.
LEFFERTS
Will they even bring her to the Beauforts ball, do you suppose?
JACKSON
If they do, the talk will be little else.
[Archer looks at his companions in the box with just a suggestion of impatience. Then he
turns and leaves]
[Archer goes to the box whe
Name Of The Rose Script
Having reached the end
of my poor sinners life...
my hair now white...
I prepare to leave
on this parchment my testimony...
as to the wondrous
and terrible events...
I witnessed in my youth...
towards the end of the year
of Our Lord .
May God grant me
the wisdom and grace...
to be the faithful chronicler
of the happenings that took place...
in a remote abbey
in the dark no
SNOW FALLING ON CEDARS
Screenplay by Ron Bass and Scott Hicks
Based on the novel by David Guterson
May 4, 1998
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. THE SUSAN MARIE, SHIP CHANNEL BANK - NIGHT
Fog. Penetrated only by sound. The LAPPING of sea at a
drifting hull. Tendrils of mist part, revealing...
...a f
THE BALLROOM
Short Round enters and stares across the smoky nightclub. On the stage, he sees a giant paper-mache dragon laying curled around the pagoda.
Now, the dragons eyes light up, its nostrils exhale smoke and its enormous jaws open. Out of the dragons mouth walks the star of the stage show:
WILLIE SCOTT, a dreamy beauty singing a sultry solo white the orchestra wails the accompaniment.