CREDITS: White lettering over a back background. The THUNDEROUS SOUNDS OF A MASSIVE NAVAL BARRAGE are heard. The power is astonishing. It roars through the body, blows back the hair and rattles the ears.
FADE IN:
ext. Omaha Beach - normandy - dawn
The ROAR OF NAVAL GUNS continues but now WE SEE THEM FIRING. Huge fifteen inch guns.
A SWARM OF LANDING CRAFT
Heads directly into a nightmare. MASSIVE
Love And Death On Long Island Script
[ Man ]
It is so difficult
to know where I should begin.
Especially when, unlike you,
I already know the ending.
But let us say that this story
began with the end of another,
far, far from the surf
of Long Island.
For many years, I had
absolutely no public life.
I had said, "No,"
to interviews so often,
it was widely
regarded as my forte.
Then, just once--
on
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc
In Like Flint Script
Lisa, Paris is on the phone.
- About the hemline again? Ill take it.
- Mm-hmm.
Hello? Please, Paris.
It has been decided.
Mm-hmm. Mm-hmm. Thats correct.
- Lisa, how do you like this?
- Its very nice. Just fine.
- Put it through immediately.
- Thank you.
Lovely.
The color, the drama!
- It is fantastic!
- Its glorious!
Blast off.
Why not?
Come along, ladies.
Ladies. Ladies!
- W
The credits have that depressing, shitty, this is going to be one of those lousy black and white movies from the 1950s look. This is going to be one of those cheap teen sci-fi movies about a creature
MUSIC. When the female stars name appears, Borodins theme, which will later become adapted into "Strangers In Paradise," plays. Then we return to the stormy part, which subsides as:
THE CREDITS END
T
Going My Way Script
[Sweeping instrumental music]
But, Father Fitzgibbon,
why do you want a new furnace?
Because, Mr. Haines, last winter,
in the month of November alone...
four of me parishioners
took to the bed with pneumonia.
Thats too bad.
Its only by a miracle
that I meself pulled through.
Itll only cost $ . ...
complete with an automatic damper.
But, Father, I didnt come here
to put in new
RETURN OF THE APES
by Terry Hayes
first draft
1996
DEEP SPACE.
No atmosphere, no life, nothing. Just a web of lights- a billion stars hang
in a velvet void. The only sound is the howl of the cosmic wind.
The light of a distant sun strikes a rising planet. We see ragged
continents and oceans wreathed in cloud. This is earth rise. Our world
spins slowly in space, a thing of beauty, of awesome majes
DOG DAY AFTERNOON
by
Frank Pierson
"DOG DAY AFTERNOON"
FADE IN:
EXT. ELECTRIC SIGN
It FILLS THE SCREEN (designed to exactly FILL THE FRAME size
of whatever ratio were shooting in). It says:
2:51
This message will be a little cryptic to the movie audience
on an essentially BLACK SCREEN. HOLD for a beat, then it
changes: the lights flash this sign, which should explain it
to everyone:
94뫉
And a s
The Crow
Screenplay by David J. Schow
John Shirley
Produced by Edward R. Pressman
Jeff Most
Directed by Alex Proyas
Cast List:
Brandon Lee Eric
Ernie Hudson Albrecht
Michael Wincott Top Dollar
Rochelle Davis Sarah
Michael Berryman Skull Cowboy
John Polito Gideon
David Patrick Kelly T-Bird
Angel David Skank
FADE IN:
EXT. CEMETERY - LATE AFTERNOON
BOOM! A crack of lightning illuminates the silhoue