Sense and Sensibility
Jane Austen - (16 December 1775 – 18 July 1817)
Romantic fiction
Landed gentry
Realism – biting irony & social commentary
Constant support from family
Epistolary novel
18th century ~ 19th century
Dependence of women on marriage to secure social standing & economic security
Austen’s works - Sense and Sensibility
1. Sense and Sensib
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we
An Evening With Kevin Smith Script
Kevin Smith directed and acted
in his New Jersey Chronicles:
Clerks, Mallrats,
Chasing Amy, Dogma...
...and the final chapter,
Jay and Silent Bob Strike Back.
Smith presents his own lens through
which we may view the world.
And although its not
always rose-colored...
...we learn a new way
to examine spirituality...
...sexuality and human relationships.
Give it u
M i M i C
a revision
by
Matt Greenberg
and
Guillermo del Toro
June 19th 1996
FADE IN:
THE SCREEN
Stygean darkness.
Wet CLICKING SOUNDS. A BEAM of purplish ULTRA-VIOLET LIGHT
reveals a mosaic of moving forms... COCKROACHES. They skitter
restlessly under the beams intensity. SERIES OF SHOTS -- the
UV Beam passing over various parts of the space. Pipe webs,
walls, girders -- all covered with the ins
MAN ON THE MOON
FADE IN:
INT. VOID - DAY
Standing in a nonexistent set is ANDY KAUFMAN, looking a bit
nervous. Wide-eyed, tentative, he stares at us with a
needy, unsettling cuteness. His hair is slicked-down, and
he wears the "FRIENDLY WORLD" costume from the Andy Kaufman
special.
Finally, Andy speaks -- in a peculiar FOREIGN ACCENT.
ANDY (AS FOREIGN MAN)
Hallo. I am Andy. Welcoom to my
movie.
(
Henry Fool Script
You want some?
Youre dead motherfucker!
Keep runnin!
Where the hell have you been?
-Mom, come on and eat!
-Im not hungry.
-Then why did I cook?
-I dont know why you cooked.
I dont know why you bother.
Eat, Simon.
God! I want to get fucked.
You okay?
See ya.
Get up off your knees.
Where do you have to go to get
a six-pack of beer around here?
-Say something.
-Shes mute.
What?
Kis
The Flintstones Script
Come on, you lazy Cro-Magnon!
Ohh!
Hey! Back to work! You guys had a break two days ago!
Come on, now!
Come on, Sheba!
Thats my big girl!
Look at those pathetic worms...
burrowing their lives away.
Do you know why Im up here and theyre down there, Miss Stone?
Because you lied on your resume?
No.
Because I have vision.
And right now I have a vision of you and me...
dripping
FADE IN:
INT. GRUBBY HOTEL CORRIDOR - DAY (DIMLY LIT)
A woman's face BACKS INTO SHOT, her head resting against grimy
wallpaper. She is tense, sweaty, wide-eyed with concentration.
This is CLARICE STARLING - mid-20's, trim, very pretty. She wears
Kevlar body armor over a navy windbreaker, khaki pants. Her thick
hair is piled under a navy baseball cap.
3)인터넷 포르노 유해성의 지나친 일반화
이와 함께 법과 규제논의에서 간과하고 있는 점은 바로 포르노그래피의 유해성의 본질에 대한 부분이다. 1970년대부터 지속적으로 연구되어온 결과에 따르면, 포르노그래피가 유해한 효과가 나타나는 경우는 성적인 묘사 그 자체보다는 성적인 묘사와 함께 내
(2) 페미니스트가 보는 포르노그라피의 본질
포르노그라피의 본질과 관련하여 페미니스트들의 견해가 일치하는 것은 아니다. 어느 페미니스트들은 여성을 성 상품화하고 비하하며 성적 종속을 성애화하는 그러한 포르노그라피는 여성에 대한 폭력이자 바로 현실 그 자체로 보지만, 또 다른 페미니