서론: 예술의 역사적 해석
예술작품은 사유가 상징적으로 재현된 미적 텍스트이다. 사유를 언어로 재현하는 문학이나 이론들과는 달리 예술작품은 시각, 청각 등 지각적 방식으로 재현한다. 역사적으로 미적 텍스트는 정치적 무의식을 통해 모순을 해하여 사회의 총체성을 재현해왔다. 그러나 후기자
The Chinese who have come to this country havenot proved desirable neighbors. Clannish in the extreme, they divide the community against itself. Unsanitary in their habits, ignorant of American law or its purpose, and looking upon this country as merely a place of temporary refuge in which to accumulate wealth to send to China, they detract from rather than add to the strength of the country as a
Myths
- Deal with remote past, with the time of the origin of things both natural and cultural
- Stories are associated with the sacred
- Have been handed down from one generation to another
Legend
- Sometimes thought to have a basis in historical fact
- Deal with less remote past than myths
- About heroes or heroines who overcome obstacles
Folktales
- Stories are often give a l
당시에 나온 ‘민간인 격리 명령서’라는 공문은 이렇게 시작된다.
“샌프란시스코 지역의 모든 도시와 카운티, 캘리포니아 앞에 명시된 지역에 거주하는 일본인들은 전원 1942년 4월7일 정오까지 추방될 것이다. 어떠한 일본인도 이 지역에 들어갈 수 없으며.”
이 공문을 손에 쥔 캘리포니아
film production for a decade: Chosun Gisaeng Guild
Heyday yet Invisible in Korean FilmHistory
- 1920-mid 1930: Heyday of Korean silent films: Lack of materials from this period
- 140~50 films were produced during the period: about 80 released b/w 1926~37
Crossroad of the Youth (Cheongchun-eui Sipjaro,청춘의 십자로)
1934, d
Grayling, Michigan에서 1937.12.11일 출생
어린 시절 한쪽 눈 실명
Michigan State University에서
비교문학 B.A. (1960) and M.A.
(1964) 학위 수여
State University of New York,
Stony Brook (1965-66)에서
조교수 활동 후 full-time 작가가
되었다
소설과 달리 영화에서 Narrator 역할을 함
- Tristan과 곰을 연관시키는 매개체 역
Official Name - Xizang Zizhiqu
Nickname - Roof of the World
Provincial Capital - Lhasa
Location - Situated in the southwest of China, on the Tibetan Plateau
Area - 1,200,000 square kilometers.
Bordering Countries - Nepal, India, Bhutan, Burma.
Population - 2.81 millions (2007)
Ethnic Composition - 92.8% Tibetan, 6.1% Han, 0.8% others
Religions - Tibetan Buddhism, Animism
Official Lang
History of Korean Wave
In short, the Korean wave means South Korean popular culture in other countries, especially in Asian countries came more and more popular. "Korean Wave" is a phenomenon that is manufactured by the South Korean culture industry. Such as film-, TV drama- and other media industries, they not only do well economically but also improve the image of South Korean. Therefore, t
history of hotel industry in South Korea, it is relatively short compared to that of western civilizations. We will, thus, examine how hotels took place in Korea, what factors have an influence on the change of hotel organizations, and why these changes happened.
2. Literature Review
(1) Sociological Perspective (Organizational Ecology Perspective)
Many studies about organization have been